Tuesday, 29 May 2018

"Watson's Choice," by Gladys Mitchell

Novel, 1955

Golden age detective novel, which builds an atmosphere and mystery long before a murder is committed, then proceeds to a robust, enjoyable whodunnit. A book which is light and nimble and something of a period piece - particularly noticeable in the treatment of an 'exotic' and very psychologically baffling Spaniard. A good example of the morals and morays of an English class, with about it - mainly the atmosphere and hints at a darkness under the surface of the action - which comfortably pulls it clear of generic sludge.

Sunday, 20 May 2018

"The Crystal World," by JG Ballard

Novel, 1966

Catastrophe novel, in which the African jungle and everything in it crystallises and takes on an eerie suspension, which feels like death. There are plenty of pleasing and striking passages in this book and potency through the involvement of priests, diamond minds, crocodiles, leper colonies and the like, though the overall narrative power suffers, slightly, through the relentless strangeness. A prescient read for those looking for ecological disaster, though it's tricky following and engaging with the full cast of characters.

Wednesday, 9 May 2018

"The Vegetarian", by Han Kang

Novel, 2007

Engrossing three part novel, charting the course of a psychologically disturbed, largely unloved woman, through the eyes of her husband, brother in law, then sister. This seems to be a book about power and personal suffering and the sublimation and determination of the individual. While some of the scenes are incredibly difficult to read, this is a truly powerful book which is gripping and relentless, right up until the touching conclusion. The passivity of the main character throws questions back to the reader about their own responses and actions.

Monday, 30 April 2018

"Nairn's London," by Ian Nairn

Non-fiction, 1966

Idiosyncratic architectural guide to the capital, in which the excellently opinionated, self-taught Nairn takes the reader on a tour of the notable landmarks, in his eyes, in 1960s London. Descriptions of styles in suburban pubs rub shoulders with churches and the odd stately home and town centre. Nairn often doesn't make an awful lot of sense, but there's a real drive throughout the book, which has more than its fair share of jaw-dropping, satisfying and otherwise memorable moments, most notably when the writer is inclined to more pronounced displays of either joy or disdain.

Thursday, 26 April 2018

"Rocket Science", directed Jeffrey Blitz

Movie, 2007

American coming-of-age indie, in which a teenager with a stutter is drawn to the star performer and thus debating society in high school, while struggling with his physical affliction, an amusing home life and coming to terms with maturity. An enjoyable film overall. If the pupils in the debating societies seem irritating, that's doubtless the intention. Some well observed, slightly edgy comedy here and there, mixing in with occasional slapstick.. Light, fluffy and diverting, with a good pace and a few serious questions put in for good measure.



Sunday, 22 April 2018

"The Two Faces of January", by Patricia Highsmith

Novel, 1964

Gripping psychological thriller looking at attachments, classical and Oedipal conflicts and characters struggling and bringing each other down across Europe. While this novel may possibly have benefited from a tighter ending, and if the classical references are laid on a little thick in places this is, nonetheless, a cracking read. Not in the top bracket for Highsmith, but an excellent romp, with a load of obsessive, guilty and perverse behaviours demonstrated by all three of the main characters.






Saturday, 21 April 2018

"Erewhon", by Samuel Butler

Novel, 1872

A curious Victorian muddle of fiction, narrative and philosophy, detailing the topsy-turvey practices in Erewhon, where some counter-intuitive institutions and beliefs are lightly satirised, set within a slight travel and escape story. This is pretty dense stuff for the most part and fairly tricky to get through, with the narrative ploughing on, not giving any real relief to the contemporary reader looking for short sentences, spiky dialogue and the like. Some points of interest and amusement keep things on at least some kind of footing, although overall, by no means a 'must read'.