"The Borderlands", directed by Elliot Goldner

Movie, 2013

Blair Witch influenced film about three Vatican-employed paranormal investigators sent to a desolate church and the home of a slightly deranged priest. A slow build-up means we learn a good deal about two of the main protagonists, although the characterisations - particularly Gray - aren't wholly engaging or likable. There are some effective set pieces, with the unseen flashes of activity and sound design particularly good, though the film plods in between, always promising more than it delivers. The found footage isn't as tiresome as it might have been. Not without some strong points, but overall, this isn't an essential film.

"The Beast Within," by Emile Zola

Novel, 1890

Melodrama set on and around the French railway line from Le Havre to Paris. A book both old fashioned, in its narrative approach, but also modern, in terms of the themes of technology and intense, dysfunctional psychology and some warped crimes and derring-do. And a cracking read - the details firmly set up the social and physical surroundings, but the action is relentless. Some barbed comments on the justice and political systems are also thrown into a book whose pace - like the trains and characters - whisks the reader along and grips them at the some time. 

"Ice", by Anna Kavan

Novel, 1967

Hypnotic novel about the struggle between three characters and an ecological catastrophe threatening to disrupt the pursuit between them. This is an episodic novel where themes and actions are repeated, echoed and emphasised, particularly as the main protagonist sees the woman he's chasing flee ever increasingly away from him. Some great writing and it pays to read this one slowly, with the tension and the ever elusive nature of the pursuit building and building as the book progresses. Not an easy read, but memorable and, in places, pretty disturbing.

"The Flight from the Enchanter", by Iris Murdoch

Novel, 1956

A novel which starts with a good deal of energy and potential, but which doesn't entirely succeed under the weight of a large number of characters. Most of these are well drawn and interesting, although it's hard to feel much sympathy or connection with any of them, except - perhaps - Rose. The subsequent dreamy detached atmosphere is perfectly enjoyable, though events drift to an unsatisfactory end. Some great scenes and settings, though overall, not especially riveting.

"Three Cases of Murder", directed by David Eady, George More O'Ferrall, Wendy Toye

Movie, 1955

Early portmanteau film, combining horror and supernatural themes across three murder stories. The first has an eerie, circular feel; the second is a more straightforward love triangle and the third a political revenge piece. The stories are a little clumsily pulled together by a narrator, although the film as a whole entertains.. The eeriness of the first section, in particular, has an affecting feel about it, with the third section notable for an over-made-up Orson Welles almost skewing the whole piece with his presence. Alan Badel is in every story, although why is a mystery in itself. 

"Blades of Glory", directed by Gordon and Speck

Movie, 2007

Daft film, which packs laughs throughout, in following arch rival skaters, also find a loophole and join forces to perform after receiving lifelong bans for a podium punch up. There's little fresh or innovative in this film, but it's solid entertainment, with some odd dance moves and action centered on the ice rink. A perfect film for leaving your brain somewhere else and having your ribs tickled. Some good performances and slight twists in characterisation elevate this film above an even crasser version it could easily have been. 

"John Coltrane," by Martin Smith

Non-fiction, 2003

A book focusing on the socio-political environment into which John Coltrane emerged in the 1950s and 60s. There are touches of biography and descriptions of the music, though this book's simplicity is its main strength and weakness; the idiocy of racism is writ large, in black and white, although at other times, the simple language struggles to reflect the lyricism and complexities of Coltrane's music. But still, reading is no replacement for listening, and while the book doesn't entirely inspire an investigation into the music and those wonderful orange Impulse! spines, there's plenty to get to grips with nonetheless.