"Taste of Fear", directed by Seth Holt

US title - Scream of Fear

Movie, 1961

Crackling, atmospheric suspense horror thriller, in which a load of tropes are aired - the spooky house, the creepy matriarch, the imperiled heroine - and a storming film delivered. This is unsophisticated, well-plotted fare, without a trace of gore, but some suitably jolting moments. At times, the lighting, the angles, the photography and claustrophobia build a really terrific atmosphere, which more than compensates for creaking plot points and the odd piece of cardboard acting. Well worth seeking out for a night time comfort watch. 

"Moderato Cantabile," by Marguerite Duras

Novella, 1958

Meditative, claustrophobic study of a woman affected by seeing a murder, then returning to the cafe where it was committed. The detached narrative runs over some real pressures from family and acquaintances, dealings with whom seem likely to have driven the protagonist to drink. The dislocation and strange behaviours appear to oppress the book's heroine, who may or may not stand in a wider feminine perspective. A quick and engaging read; gloomy and persuasive, with a dreamlike fatality. 

"The Beast Within," by Emile Zola

Novel, 1890

Melodrama set on and around the French railway line from Le Havre to Paris. A book both old fashioned, in its narrative approach, but also modern, in terms of the themes of technology and intense, dysfunctional psychology and some warped crimes and derring-do. And a cracking read - the details firmly set up the social and physical surroundings, but the action is relentless. Some barbed comments on the justice and political systems are also thrown into a book whose pace - like the trains and characters - whisks the reader along and grips them at the some time. 

"Le Peau Douce," directed by François Truffaut

Movie, 1964

A slight, well-trodden story of infidelity and the consequences arising for the three protagonists involved. A fairly conventional film, all told, although there's a subversion at the end which makes quite a mark and a clear statement. Otherwise, everything in the film looks cool, with a decent smattering of Citroens, Gauloises and jet planes and some pretty archaic looking, talented people gaining social points over younger looking talented people. A film where gender and class are examined, while the story's focus remains deeply personal.

"The Mystery of the Yellow Room", by Gaston Leroux

Novel, 1907

Early example of a locked room mystery and for all the labyrinthine plot twists, fairly easy to read and follow. The use of red herrings and characters not essential to the plot help measure rather than drag the narrative and the setting up of situations and cliff hangers makes for an absorbing read. Some may find the precociousness of the main character a little hard to entirely stomach, but the reminder of the boy detective helps with context and interest into wildly unfolding developments which often defy adult logic.

"Epitath for a Spy", by Eric Ambler

Novel, 1938

Effective, nicely paced and well-told story of a man's dilemma and problems after he's arrested under suspicion of spying against the French just before the Second World War. The careless and bungling nature of the protagonist and the fact he's played by many of the other characters in the book give a refreshing feel to the book, although there's also some ill ease at the slightly metaphysical dilemma the hero finds himself in. A smooth, entertaining book, at once familiar in its form, though refreshingly differing it at the same time.