"White is for Witching", by Helen Oyeyemi

Novel, 2009

A novel which pulls on a load of shapes and guises, from coming of age, to a twins' psychodrama, to haunted house thriller. This is a book in which too much goes on without much seeming to actually happen. The result is a confusing hodge-podge, which may be an intentional device reflecting the struggles of Miranda, the main protagonist. There's some really outstanding images, but the different voices and narrative layers don't really fully knit together where they feel like they should. Some great ideas and difficult subjects explored, but too fragmented for my liking. 

"Inferno," directed by Dario Argento

Movie, 1980

Dreamy horror, full of deserted buildings, surreal sets, a progressive rock soundtrack and blood. All these elements are wonderfully realised, giving the film an excellent tension, although the story seems a little confused and the acting, every now and again, stultifying. The violence is nasty, although this goes with the territory. An effective piece, all in all; at least it would have been if only the story and direction could just have been given a little more of a leg up over the grisly set pieces.

"13 Ghosts," directed William Castle

Movie, 1960

Take out the outrageous Illusion-O gimmick, which neatly and effectively removes most of the tension in the film and leads in to some fairly tedious special effects, and 13 Ghosts is a pretty effective haunted house movie. While younger characters and cast members grate, Margaret Hamilton (the witch in The Wizard of Oz) is a sinister, enjoyable presence playing a twisted housekeeper along similar lines to Mrs Danvers in Rebecca. Daft hokum, of course, but  watchable and, where there is no call for the Illusion-O viewing goggles, some moments of genuine tension. A strange picture, overall.

Here's a trailer which hints at daftness.