"Free Fire," directed by Ben Wheatley

Movie, 2016

A film with one fairly hackneyed idea, which is pushed to breaking point, but is ultimately rescued by some great and at time over the top acting and a possibly dubious sense of fun at having every protagonist n the film getting battered by their rather dishonest trade. A parable, possibly, about power and guns and evil corrupting and leading to anarchy. It is, however, possibly too easy to read anything into this film because of its almost crass simplicity. A little repetitive, though watchable and, oddly, surprisingly well-paced. 

"The Man from U.N.C.L.E.", directed by Guy Ritchie

Movie, 2015

Sleek, shiny, inevitable cash-in on the 1960s spy thriller, whose production, politically, comes at a very interesting time. This is a film whose tongue is quite rightfully and respectfully in its cheek, but which isn't  as warm or charming as its source material. For all its slick delivery, the twenty-first century version feels hurried and stuck together. The conversion of Illya Kuyakin to a muscle bound intellectual doesn't entirely work, while Napolean precariously wavers between smug and charming. Perhaps it's meant to be; and the film, despite shortcomings, is very entertaining.