Sunday, 28 May 2017

"Lucy," directed by Luc Besson

Movie, 2014

Science fiction superhero gangster film with too many ideas to sustain and a generally cold outlook and a few less than savoury undertones. The basic idea of a innocent superhero inflicted with powers through to the footage of wild game being hunted by big cats are as tried and tired as they come. While the action scences and the pacing are fine, the disparate parts and their clunky coming together are distracting.  Entertaining, for sure, though this feels like a weird cross between a nerdy school project and a star vehicle for Scarlett Johansson.

Sunday, 21 May 2017

"Nightcrawler", directed Dan Gilroy

Movie, 2014

Effective, powerful film charting the rise of a disreputable news collector in LA, superbly played by a suitably other worldly looking Jake Gyllenhaal. While this could have been preachy and one-dimensional, the film pulls you on board with some good characterisations and a compelling narrative, which builds and keeps the interest throughout. Not always easy to watch and possibly stretching credibility at times, but an excellent moral examination and satire of the news and fame business.

    Saturday, 20 May 2017

    "Gaslight", directed by George Cukor

    Movie, 1944

    Grisly psychological study of a husband's mental greed and cruelty, with enough melodrama to send anyone into a spin. The overall look and feel of the film are both superb, although the build up and back story feel laboured and unnecessary, with an immediate degree of malice in the husband instantly decoupling some of the narrative tension. Still, some of the photography is breathtaking and moody, with the acting split between the vital hysterics required from the leads and one or two redundant, overblown characters. 

    Wednesday, 17 May 2017

    "4321," by Paul Auster

    Novel, 2017

    Epic, sprawling account of the journey into adulthood of Archie Ferguson, or more accurately, the four alternative Archies, determined by events and subsequent consequences. While the writing is excellent, this is a hefty tome which promises more than it delivers, with Auster's penchant for coincidence and meta-fictions relegated behind more straightforward episodic story telling which smoulders without ever fully igniting. The attention to history is detailed, though again, at times, feels just a little claustrophobic. 

    Tuesday, 16 May 2017

    "Woyzeck," directed Werner Herzog

    Movie, 1979

    Intense portrait looking at the disastrous effects of the military and psychological manipulation on a less than stable subject. The Herzog-Kinski combination brings in bucket loads of atmosphere and dread into a combat situation with no fighting, other than the destructive relationships raging through and around the main character. Beautifully shot and with a number of meditative scenes in among the high drama, but still coming up well paced. Brutal viewing tacking dehumanisation and absurdity full on and giving much pause for thought along the way.

    "Die, Monster, Die!" directed by Daniel Haller

    Movie, 1965

    Curious mixture of horror tropes, from a spooky house, innocent virginal female lead, disabled and mad parents and mad scientist, to 60s' surreal and at times psychedelic science fiction feel. Karloff hams but is possibly upstaged by his insane and damaged wife, while the dashing young male lead both looks old enough to have been the heroine's father. Enjoyable hokum which never fully grabs attention but keeps rattling along at a decent pace and throws up plenty of oddities, including the odd genetically mutated giant tomato.  

    Monday, 15 May 2017

    "A Man Called Ove," by Fredrik Backman

    Novel, 2012

    Recently and deeply bereaved widower contemplates ending it all but is only happy to do so once all matters in hand are in some sort of order and those around him, in his neighbourhood, start conducting themselves in a fit and proper manner. As easy book to get into which, whenever it feels in an way repetitive or overly formulaic, brings things back round so the reader is given chance to understand and care about the main protagonists. In the end, there's some really effective emotional engagement and story telling which can be ploddy but overall, delivers a good read.