Monday, 27 June 2016

"Locke," directed by Steven Knight

Movie, 2013

A concept film where, really, there's barely any concept and virtually no action, just a man in a car, driving in the night and talking to people, desperately trying to keep his world from unravelling. And that's it. The chances of this being a good film may appear slim, but it really works tremendously well. Inevitable plaudits have to go to an excellent performance by Tom Hardy, although the script and pace are also magnificent. Not a comfortable watch and not for everyone, but this is really compelling stuff.

Wednesday, 15 June 2016

"Macbeth", directed by Justin Kurzel

Movie, 2015

A film which turns the play on its head, from a pacy plot which builds tension, to something pushing style at the expense of substance and in shortening the running time, makes the whole thing drag. An achievement of sorts. While there are some interesting ideas, including the battle scenes, the whole piece feels like a series of disjointed moments and there are times when the director's vision and cinematography go into overdrive and swamp everything else. Not the greatest introduction to the Bard.

    Sunday, 5 June 2016

    "The Drop", directed Michaël R Roskam

    Movie, 2014

    While this is a film with huge potential for failure - a slurring method acting loner, rescued dog etc. - this slow burner builds a tense and twisting plot and genuine foreboding atmosphere. There's also a refreshing straightforward setting and story telling with no artsy tricks, crushing soundtrack or CGI, just the goings on in a bar, its assistant manager and people orbiting him. Slow and glorious for it, even if the pooch occasionally gets tiring.

    Wednesday, 1 June 2016

    "I Live Under a Black Sun," by Edith Sitwell

    Novel, 1937

    Based on the lives and loves of Jonathan Swift, who is here painted as an arrogant consumer of the lives of the two women who love and who almost literally, bodily nourish him. While the novel occasionally judders along, and while it sometimes feels as if the reader is expected to know more about Swift than the layman might, this is a compelling tragedy, with some poetic description which is staggering in its beauty and evocation. A bit a mixed bag, overall, but largely effective in holding the reader's attentions and sympathies.